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RAFFAELLO Sanzio
Wearing veil woman
mk243
1516
Oil on board
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RAFFAELLO Sanzio
Portrai ot Fidela
mk243
1515-1516
90x62cm
Oil on canvas
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RAFFAELLO Sanzio
Story
mk243
1518-1519
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RAFFAELLO Sanzio
Bishop
mk243
1518-1519
154x119cm
Oil on board
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RAFFAELLO Sanzio
Shemikaier and devil
mk243
1518
268x160cm
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RAFFAELLO Sanzio
Christ
mk243
1518-1520
405x278cm
Oil on board
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RAFFAELLO Sanzio
Lina
mk243
1518-1519
85x60cm
Oil on canvas
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RAFFAELLO Sanzio
Naked girl
mk243
256x163cm
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RAFFAELLO Sanzio
The virgin mary
mk243
1504
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RAFFAELLO Sanzio
Kadanali
mk243
1506-1507
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RAFFAELLO Sanzio
Study of bury
mk243
1507
182x205cm
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RAFFAELLO Sanzio
The virgin mary
mk243
1506
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RAFFAELLO Sanzio
The virgin mary and John
mk243
17.3x21cm
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RAFFAELLO Sanzio
Kill dragon and Georgian
nk243
1505
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RAFFAELLO Sanzio
Christ Bury
mk243
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RAFFAELLO Sanzio
Christ Bury
mk243
1507
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RAFFAELLO Sanzio
Study of Mary
mk243
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RAFFAELLO Sanzio
Argue
mk243
1509
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RAFFAELLO Sanzio
Father and The virgin mary
mk243
1508
28.4x19.1cm
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RAFFAELLO Sanzio
Insitute
mk243
1520
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| RAFFAELLO Sanzio
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Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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